![]() Put this layer on top of the hallway layer, and set the blend mode to "multiply". I want the shadow to be case from where we are looking at, so I add a new layer and start painting with light blue/cyan/purple (cold) color. More Tutorial! You can read my other tutorials on anime cloud painting and look at the brush settings for painting anime cloud. Probably we need to go out and look at the sky more =). Unfortunately, cloud painting is not something I had excel with. Random in cloud shape and random in cloud placement, so it will look natural and not too organize or symmetry. The key of cloud painting is "randomness". Imagine if you are using custom brush, the result will be even better! Only with these two brush, we came out with a not so bad looking cloud. Play with brush size jitter and scattering option as well. Use the round brush to paint the little cloud.Lower down the round brush opacity and blend in another color. Delete part of the cloud with the chalk brush.Draw a base cloud shape with the round brush.Use for drawing base cloud shape and blending.Ĭhalk brush. Round brush with "other dynamic" on and "brush tip hardness" lower down. In my artwork, I use these two default brush from photoshop. But if we really want to improve, we will need to keep on painting. Of course we can cheat with pasting photo like how I did last time. Makoto Shinkai can use 2 or 3 seconds to paint a nice looking cloud, while we noob spend 2 hours on a cloud and it still look like crap. As you can see, the colors are already quite saturated and perfect for animation background. These are some photos I took with my camera phone. I strongly recommend use color reference for this step (unless you are already a pro, which in this case you shouldn't be reading this noob tutorial at all) You can use the gradient tool as well, but I prefer painting it manually to give it a painting feel. Start painting the sky with a soft round edge brush. Just remember, the foto paint over process is an ongoing process and you will revisit this as you work on the image more.Īdd a new layer behind the hallway layer. You can also apply the "remove noise" filter, to remove noise and image compression artifact from the photo. Lock layer transparency (so you wont paint on transparent area) and start painting over the layer to give it a more painterly feel. Check the copyright too!Īfter separating the hallway into it own layer, I added in the missing area with a hard round brush. Wait! Do not just use random google photos. ![]() Since I just need the hallway in my artwork, so I only have one layer and I move it slightly to the left to give more space for background. With mask, you can crop with brush(B) and eraser(E), instead of clicking undo all the time. It is also better to use a mask to crop out the object instead of erasing the image directly. This will greatly help on painting and animation later on. Depending on your artwork, you might need to mask different objects into different layers. The first thing I usually do is to remove the background (sky) from the foreground object. Separating The Foreground From Background Original Photoīrowsing through my photo gallery, I found this hallway photo which is perfect for showing how Makoto Shinkai using layers for shadow. This is also not an in-depth step by step tutorial and it is meant for people that have some knowledge on Photoshop. Technique and theory in this tutorial might not be correct. With additional composition elements and new techniques you will be able to create stunning landscapes in no time.Heads up! I suffer from partial colorblindness and never went to any art school. The total amount of time I spent on this artwork is 2 hours and 35 minutes including modelling and multiple mid-progress reasonings. But even using my methods only, you can already draw such beautiful landscapes (and not only sunset/sunrise kind of scenes – change of the sun position and the time of day is probably one of the easiest things here). ![]() Especially now, if you were following my guide step by step with no pauses – take some rest and return to the artwork later, with clean mind and rested eyes.Īnd when you get used to the process and techniques used here, you can adapt them, change to your like, modify in a way they work better, bring better results and feel more comfortable to you. However, you can always return to it and change or add anything you want. Adding the noise is the last stage in my method of drawing anime-like landscapes.
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